[vc_row][vc_column width=”1\/3″][vc_column_text text_lead=”yes” uncode_shortcode_id=”779720″]Originally conceived for and presented at the Museum of Fine Arts Houston, the exhibition Helmut Newton, White Women \/ Sleepless Nights \/ Big Nudes<\/em> at the Newton Foundation was dedicated to Newton\u2019s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton\u2019s lifetime, these photographs bordering between fashion and nude photography were never displayed together.[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]His first photography book, White Women<\/strong><\/em>, was published when Newton was already 56 years old, in 1976. The book received the \u201cKodak Photobook Award\u201d shortly thereafter and has enjoyed numerous reprints ever since. In White Women, Newton used nudity within the visual world of fashion. While such unusual pictures both astonished and provoked the scene, above all, they revolutionized fashion photography. Furthermore, Newton\u2019s photographs both reflect and comment on the transformation of the role of women in western society at the time. Inevitably, Newton makes us observers into voyeurs.<\/p>\n Just as perfectly arranged were the black and white and color photographs in Newton\u2019s 1978 book Sleepless Nights<\/em><\/strong>. Previously published in various magazines, these were also all about women, their bodies and their clothes; fashion shots that are simultaneously portraits, or which could double as crime scene documentation photos. Here for the first time are also three smaller series, which would later be counted among Newton\u2019s iconic images: half-naked, female models in orthopedic body braces or wearing leather saddles by Herm\u00e8s, as well as the so-called \u201cdummies\u201d. His second publication Sleepless Nights<\/em> also features mannequins that are mostly in amorous combination with a person. For Helmut Newton, fashion often seems to be an excuse to realize something different and very individual.<\/p>\n At the latest with his third publication Big Nudes<\/strong><\/em>, Helmut Newton had secured his seat atop the Mount Olympus of photography. Since its first publication in 1981, the book has been reprinted thousands of times, by several publishing houses and in multiple languages. Soon after their creation, the monumental pictures were shown in various museums; with his Big Nudes and the subsequent life-sized images from his Naked and Dressed<\/em> series, Newton had opened up a new dimension of the photographic human image.[\/vc_column_text][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”0″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_gallery el_id=”gallery-244615″ type=”carousel” medias=”80002,80004,80006,80008,80010,80012,80014,80016″ carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ gutter_size=”2″ carousel_height=”equal” carousel_interval=”0″ carousel_navspeed=”400″ carousel_nav=”yes” carousel_nav_mobile=”yes” carousel_dots=”yes” carousel_dots_mobile=”yes” carousel_dots_inside=”yes” stage_padding=”0″ single_overlay_color=”color-jevc” single_overlay_opacity=”10″ single_image_anim=”no” single_padding=”2″ lbox_caption=”yes” lbox_no_tmb=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”124660″ el_class=”werke”]Selected Works[\/vc_custom_heading][vc_gallery el_id=”gallery-235354″ medias=”80031″ explode_albums=”yes” filtering=”yes” filtering_uppercase=”yes” gutter_size=”2″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_color=”color-jevc” single_overlay_opacity=”10″ single_image_anim=”no” single_padding=”2″ lbox_caption=”yes” lbox_no_tmb=”yes” filter_all_text=”Alles”][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":" June 2, 2012 \u2013 November 18, 2012<\/p>\n","protected":false},"author":1,"featured_media":80017,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"portfolio_category":[87],"class_list":["post-80045","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archive-2004-2026"],"_links":{"self":[{"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/portfolio\/80045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/comments?post=80045"}],"version-history":[{"count":12,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/portfolio\/80045\/revisions"}],"predecessor-version":[{"id":85274,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/portfolio\/80045\/revisions\/85274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/media\/80017"}],"wp:attachment":[{"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/media?parent=80045"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/newton-foundation.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=80045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}